Theoricalist

Statements: 1. For each paragraph of the Voynich manuscript, there are various repetitive elements in a sequence of words.  2. Each sequence is an island with its own repeating element which is not necessarily the same as the next sequence. Figure 1. (a) Repeating elements are not necessary same as next sequence. (b) The repetitions can be seen in different sequences of words.  3. The structures of sequential repetitions are in three families (See Voynich Sequence: Three Families of Repetitions & Rules of Omission ).  4. There are layers of these repetitions(See Barberry ).  5. The symbols are similar to those in ancient Indian scripts.  6. The coded Persian words can be seen as separated words, relevant to voynich figures.  7. Reading shift will show Persian sentences. 8. There was a mother text, the space of words was removed. The resulting text was divided into small pieces, a sequence of these pieces was selected, and layers of repetitive elements were added. And then the a

بخش هایی از دست نوشته های ووینیچ، بدون نیاز به برداشتن تکرار ها، واژگانی تولید می کنند که بسیار شگفت انگیز هستند. در زیر، ابتدایی ترین پاراگراف از این کتاب را می بینید. همانطور که مشاهده می شود پارسام دریام در دریام Folio 1r - دستنوشته های ووینیچ  پارسام دریام در دریام همرو اتار پام بر گام  دریای پارس. در دریا هستم،همراه عطر ها/ستارگان  پایم بر گام بخش های دیگری نیز قابل توجه اند چون کاوه و وریا و اروپام آیا به داستان کاوه ی آهنگر و چکش آهنگران اشاره شده یا وریات به وریتا، که در جای جای کتاب به معنای گل به کار رفته مرتبط است؟    اگر این چنین باشد، شاید به گل (وریتا) های خوشبو (کاوه)ی اروپا (اروپام) اشاره کرده باشد. آیا این نام کتاب است و دلیلی بر نقاشی های اروپاییست؟  به نظر می آید معانی که در هر لایه قبل و بعد از برداشتن تکرار ها پدید می آیند هر دو بخشی از نوشته ها باشند. هرچند که بدون برداشت تکرار ها قوانین دستوری و جملات واضح کمرنگ می شوند در ویدئو ی زیر از روش خانه های رنگی جهت رمزگشایی استفاده شده است دستنوشته های ووینیچ: برگ نخست - بخش اول گااوه وریات ار وپام ت رو پارته و ریده جد

A goat figure, drawn in folio71r, with pretty nice colors. This drawing raises question: Is this Aries, Capricorn, or Charioteer?!  With previous deciphering method I have decoded three circles.  (I) The fragrant plants, traveling in midday (on) the deck, the friend likes speed, the sea is calm. (II) A warm early morning, crowned bear falls on pleiades in the early morning, I go fast, pleiades is dark. (III) Goat of seventh month/sun, goat.

Now that you are familiar with alphabets, I will explain the new method I have developed for voynich decipherment, which is using colored cells. Colored cells help in identifying repetitions and by observing each step, we will be able to find any wrong omissions and this will reduce errors. This is an example from folio 1V, one of the earliest type of colored cells. There are ten columns, which help in counting the words. Each word of a paragraph, is transcribed into empty cells, from left to right, using English substitutes. The rules are shown with three colores ( blue for alternating, pink for twins, and green for reversed type). Each stage (A, B, C,..) is distinguished by yellow and orange. Each yellow/orange portion consists of two parts, and the omitted form is shown in the second part.  New meanings may emerge, layer by layer. And after omissions some of the clear sentences will be omitted, and by using these colored cells when looking back to the process, we can find them easil

At this moment, that corona has influenced our environment, I prefer to share all I can. I realized that in this path of translating the voynich manuscript, trying to convince people is not my duty. The world of alive creatures, the magic of life is what I will enjoy, whereas deciphering this book is like solving a rubik, a puzzle, and it's more than my capacity when I see people in the wrong path. I am sure that everyone would be able to read voynich manuscript with patience and peaceful mind. The topic of this post is about using the alphabets. I have improved the set, and now it's even more powerful.  Voynich Manuscript Alphabets We have voynich letters in row (a), these are what we see in the written form of manuscript. At the row (b) the letters for searching in dictionaries are given. These are based on pronunciation and observed phonological change. And finally, row (c) has letters for transcription. When we omit the repetitions, we often need to transcribe the writings.

I have examined Voynich pages for a long time. Many many Persian words and sentences were recognizable. With the same deciphering method for all these pages. My friends were able to understand meanings and few learnt the process. Last days I've been giving meanings from different pages. And today I have a surprise for all friends.  Folio116R - Book of Sicily >> "Written notebooks of Roger"   According to the meanings, the book belonged to King Roger. Roger II, (born December 22, 1095—died February 26, 1154, Palermo [Sicily]), was grand count of Sicily (1105–30) and king of the Norman kingdom of Sicily (1130–54). Deprived of paternal influence from the age of five, Roger was brought up in a cosmopolitan, multilingual world of Greek and Muslim tutors and secretaries and soon revealed an exotic strain in his nature. [1] In 1145 C.E., al-Idrisi became an advisor to King Roger II of Sicily. Roger II hired al-Idrisi to create an updated world map. Al-Idrisi sent travelers

پس از بررسی متن های گیاهی به این نتیجه رسیده ام که  نوشته های ووینیچ حقیقتا دارای مفاهیم گیاه شناسی، دارویی و همچنین دستور های آشپزی می باشد. به زمان توجه بسیاری شده است و لغات ستاره شناسی و نشانه های صور فلکی می بایست بر این موضوع دلالت داشته باشد      ______________________ در ادامه سخنان گیاه شناس گروه را در مورد ویژگی های  چندی از گیاهان ووینیچ به طور خلاصه بیان می کنم  گیاه اول Folio 1v   آرایش برگ ها متناوب ساده، با جام گل پیوسته، و به نظر میوه ی سته  ریشه ناواضح است اما می تواند ریزوم یا غده ای باشد مشخصات خانواده ی سولناسه را داراست و می تواند همچون آتروپا بلادونا باشد رگ بندی برگ ها مشخص نیست   برگ ها ساجیتیت هستند و لبه های برجسته ای دارند اما خانواده ی سولناسه برگ های ساده و با لبه های صاف  دارند و با این ویژگی به نظر نمی آید آتروپا بلادونا گونه ی مورد نظر باشد آرایش برگ ها در بعضی قسمت ها متقابل کشیده شده اما بیشتر متناوب ساده دیده می شود گیاه دوم  Folio 18r   شکل برگ ها ساده و متقابل، ریشه افشان و گل آذین کلاپرک که نشان از خانواده ی استراسه دارد، خانواده استراسه انواع زیاد